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Fliege / Wurmteeth

by Fliege

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1.
Machinations 01:51
Weld the weakness Splint the broken thing Let infection bloom into remedy Fatten the maggots Let the hammers sing Cast out the man Become machine Machine Machine I feel the iron in me Machine Machine Strip the bolts Set me free Alive in the fluid of expiration Headlights glaring My death is nothing but fore play to them Fetishizing what they can only hope to understand Sodomizing that which they can't
2.
Industrial incantations Invocation of metallic transmutation Recitation of automation's curse No contraception For the steel copulation No resuscitation of our future's still birth Ensnared in the circuitry of being Enslaved in the foundry of existence Subliminal frequencies bid us lust like rats To the thrum of the smelt Breed 'til you die with your dick out 10,000 revolutions per minute Sink the screw to the hilt All we know is to take And to take And to rape And to kill Ashes to ashes Rust to rust Life is planned obsolescence Unto the scrap we all return Ashes to ashes Rust to rust Life is planned obsolescence Unto the scrap we all return On man's trash Is another's flesh Life is planned obsolescence Unto the scrap we all return Given it all Nothing left Life is planned obsolescence Unto the scrap we all return Say goodbye to A self forgotten Revenge begotten Gave it all and Left with nothing A self forgotten The forge is calling Gave it all and Left with nothing
3.
I became change Change became me This is the requiem for the machine

about

The whir of a drill-bit phallus. The squeak of a gurney wheel. A cautionary tale of technological codependence. A surgeon named McDreamy. These are the singular visions of motion picture anti-classic ‘Tetsuo: The Iron Man’ and ABC medical drama ‘Grey’s Anatomy’, now recast and retold by New York death metal acts Fliege and Wurmteeth. A exercise in compliment and contrast, Fliege’s thrumming death industrial collides with Wurmteeth’s impulsive instrumental hardcore across seven caustic tracks united simply in the act of making extreme music. Fliege’s three contributions—based on Shinya Tsukamoto’s 1989 body-horror masterpiece—are to be consumed whole. Bottom's up.

credits

released October 1, 2021

Peter Rittweger - vocals
Coleman Bentley - guitars, beatz, clean vocals
Chris Palermo - synths, backup vocals

Lyrics by Coleman Bentley

Mixed & mastered by Nikhil Kamineni

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tags

about

Fliege Queens, New York

Carpenter-core

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